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How do you put a nation’s history on stage? In this remarkable play, John Kani – as formidable a writer as he is an actor – does it through a confrontation between two men who represent polarised aspects of the South African experience.
Marking 25 years since the country’s first post-apartheid democratic elections, the play becomes an exploration of race, class, politics, theatre, and the potentially unifying power of Shakespeare.
No weapons, No drugs, own alcohol not allowed, and no cooler box.
